Drake takes full advantage of L.A. superproducer Mustard’s past issues with Bay Area Hip-Hop while dissing him over the Mac Dre sampled “2 Hard 4 The Radio” from his new album, ICEMAN. Mustard produced the award-winning diss song, “Not Like Us,” by Kendrick Lamar towards Drake in 2024. Mustard and Drake had been throwing jabs at each other ever since. Built on a flip of Too Hard for the Fuckin’ Radio by the late Bay Area icon Mac Dre, the track is produced by P-Lo, Karri, OZ and Ben10k. The West Coast-inspired backdrop gives Drake room to address Mustard, whom Drizzy also followed on social media, as well as the producer’s ex-wife. “Mustard heard about us, gotta catch up to the slaps,” Drake raps, suggesting that he still believes his music sets the standard. He follows with a more pointed line: “You ain’t had one since me and YG rapped.” That lyric references Who Do You Love?, the 2014 hit that helped cement Mustard’s run as one of rap’s top producers. Drake Slams Mustard On New Track “2 Hot 4 The Radio” From ICEMAN album “Facts, nine-hundred million for the tracks,” Drake adds, highlighting the massive success they achieved together. He then nods to Mustard’s breakout era with, “Rack City, b*tch, we remember that,” referencing Rack City. Drake closes with a stinging critique: “Yeah, you should try and get back to that. This new sh*t, you could’ve kept it on the Laugh Factory.” The message is clear. Drake believes Mustard’s finest work belongs to the past and that his recent output falls short of the hits that once defined his career.

On his new album, ICEMAN, Drake dissed several people, with hip-hop mogul Jay-Z, now JAŸ-Z, being the most notable target. Dissing Jigga across the new album marks the latest remarks in the two’s long-running rivalry. Across “Janice STFU,” “Whisper My Name,” and “Make Them Pay,” the hip-hop superstar questions the influence of rap’s billionaire and makes it clear he no longer seeks validation from the culture’s old guard. On “Janice STFU,” Drake raps, “You boys got big on my name, that’s big enough … we know how you OGs rocking already my n****, the jig is up.” The line reads as a critique of veteran artists who, in Drake’s view, have benefited from his success while maintaining a distance from public conflicts. Drake becomes even more direct on “Whisper My Name.” “I’ll take $500K, not the dinner, I never could learn sh*t from none of y’all.” Drake Disses Hip-Hop Mogul Jay-Z On ICEMAN’s “Janice STFU,” “Whisper My Name,” & “Make Them Pay” The lyric references Jay-Z’s famous “$500,000 or dinner with Hov” debate and dismisses the idea that a conversation with rap royalty holds special value. On “Make Them Pay,” Drake offers his sharpest jab. “You n****s run and talk to Hov for a second opinion. Me, I stood ten Ts, and accepted the mission.” The lyric contrasts Drake’s willingness to face pressure alone with artists who seek Jay-Z’s guidance before making major moves. Taken together, the bars suggest Drake sees himself as fully independent. On ICEMAN, he presents a message of self-reliance. He makes it clear that even Jay-Z’s approval is no longer a prize he is chasing.

Drake gets at J. Cole while revisiting one of hip-hop’s most talked-about fallouts on “Make Them Pay,” a standout track from his surprise triple album release, ICEMAN. J. Cole was among the many dissed by Drizzy in the new album, including LeBron James, Pharrell Williams, and, of course, Kendrick Lamar. On the record, Drake appears to address his strained relationship with J. Cole following the collapse of the 2024 “Big 3” showdown involving Kendrick Lamar. “I stood 10 Ts and accepted the mission, ’cause I’d much rather death than submission,” Drake raps, making it clear he viewed the battle as a challenge he was obligated to face. He then questions Cole’s decision to withdraw after releasing “7 Minute Drill,” his response to Kendrick Lamar’s shots. “How can you press the ignition and let some memories of the past affect your decision?” Drake asks, suggesting that Cole started the conflict, then reconsidering. Drake Slams J. Cole For Ditching Big 3 Battle On ICEMAN Track “Make Them Pay” The most personal moment arrives when Drake confesses, “I love you ’cause of the history, but if we being real, I could never forgive ya.” The line signals that Drake still values their bond, but remains hurt by what he sees as Cole’s retreat. He adds, “And you never called me back, but destiny’s written,” hinting that the two may have stopped communicating. Drake closes the chapter by rejecting the “Big 3” label altogether. “F*ck a big 3 anyway, there was too many chefs in the kitchen, it was a mess to begin with.” With “Make Them Pay,” Drake turns a headline-making rap feud into one of ICEMAN’s most revealing and emotionally charged songs. Drizzy would also diss J. Cole’s mentor, Jay-Z, on the album. Jay-Z’s protege, Meek Mill, would be referenced on the album.

Drake’s ICEMAN rollout concludes with the surprise release of three new albums. The biggest name in hip-hop drops 43 new songs across three albums, titled ICEMAN, Habibti, and Maid of Honour. All three are released under OVO Sounds, with an exclusive license to Republic Records, an imprint of Universal Music Group. Fans had spent months waiting for ICEMAN, a project Drake began teasing as far back as 2024. But during the closing moments of his “Iceman Episode 4” livestream, the Toronto superstar revealed a much bigger plan. As the stream ended, a message flashed across the screen: “All 3 albums dropping at midnight from the biggest sound.” Drake Surprises With Three New Albums: ‘ICEMAN,’ ‘Habibti,’ & ‘Maid of Honour’ The surprise release delivered a heavyweight lineup of collaborators. Future, 21 Savage, Sexyy Red, Central Cee, Popcaan and PARTYNEXTDOOR all appear across the trilogy. Drake used his Iceman livestream series to preview tracks such as “What Did I Miss?,” “Which One” and “Dog House,” steadily building anticipation. In late April, he took the rollout to the streets of Toronto with giant blocks of ice concealing the project’s release date. With ICEMAN, Maid of Honour and Habibti, Drake turned one of the year’s most anticipated albums into a three-part event. The move reinforces his knack for dominating hip-hop conversations and delivering releases on a blockbuster scale.

On a recent TikTok Live, Lizzo addressed renewed attention to her relationship with Nicki Minaj after months of public friction that had already played out online. The question came from a viewer asking where things stood between the two artists following earlier comments attributed to Minaj. Lizzo responded without leaning into specifics, saying, “Somebody asked me if I still fuck with Nicki Minaj. I think that other people’s opinions of me are not my business.” She framed her approach as one of distance rather than dispute, suggesting she was choosing not to dwell on remarks made outside her control. “I don’t really know what exactly was said about me, but I do know that there were some things said about me from her on the internet. I am choosing not to know about that—l don’t want to know, you know what I mean?” she said. For her, the issue appeared less about any single exchange and more about limiting its impact on her day-to-day life. Lizzo also spoke more broadly about the strain of seeing criticism come from both strangers and people she knows personally. “I hope that’s a sufficient answer. A lot of people talk shit about me on the internet. A lot of people—people I actually know, people I actually have a personal relationship [with] have talked shit about me on the internet like I’m just a random celebrity to them. It’s bizarre. I’m like, ‘Ho, is you cool?’ Like, I actually know you. Why are you talking about me to go viral? It’s weird.” Lizzo Pushes Back on Nicki Minaj Comments and Online Backlash She later clarified that her comments were not directed specifically at Minaj, noting that she does not “know Nicki Minaj personally” and does not have a “personal relationship” with her. “Please do not clip this and make this into something it’s not,” she added. “I am trying to fucking have a peaceful life.” She closed with a brief political clarification: “I’m not MAGA. That’s one thing you ain’t ever gonna see me switch up on.” In earlier livestream commentary from December 2025, Lizzo had reflected more broadly on shifting public alignments in entertainment and politics, particularly in response to Minaj’s support for President Donald Trump and the MAGA movement. “You’re about to see an influx of people who see that it is more profitable and more beneficial to join that side,” she said. “You’re going to see it. It already started, and it’s going to continue.” She added, “This is Trump’s first year as president. We got three more years of people who are going to surprise you, and it’s going to hurt your feelings. It’s gonna disappoint you.” In that same discussion, she noted, “There’s money behind everything. There are privileges behind every move that people in these positions make. And I’m not surprised.” The exchange resurfaced in February after Minaj posted a critique of Lizzo on X, writing, “Fat Lizzo lost 300 Ibs just to sell 300 albums. So now she has loose skin AND a flop album, AND a weird charge. Sheesh.” The “weird charge” appeared to reference a civil lawsuit filed by former dancers alleging harassment and other claims, some of which have been dismissed while others remain active. Lizzo has not faced criminal charges. Her upcoming album, Bitch, is scheduled for release on June 5.

As Drake’s ICEMAN approaches its release window, conversation around the project has shifted less toward timing and more toward personnel. Unverified reports continue to circulate about possible appearances from artists such as Lil Baby and Karol G, though the most persistent speculation now centers on a potential reunion with Future. The pairing, once a cornerstone of rap’s collaborative circuit, has been viewed differently in recent years amid broader industry realignments. The tension often traced through this narrative is linked to We Don’t Trust You, the joint project from Future and Metro Boomin that helped reshape rap discourse in 2024. Its influence widened after Kendrick Lamar delivered a sharply worded guest verse on “Like That,” a moment that intensified public divisions across fan bases and peers alike. Since then, speculation around Drake and Future has oscillated between distance and reconciliation, with no official confirmation from either camp. Rumors Swirl as Drake Nears ‘ICEMAN’ Release and Possible Future Collaboration One account circulating within industry conversations credits a small group of Atlanta-connected figures with helping reopen communication between the two artists. “Drake supposedly shot a video with Future and Big Bank and 21 Savage is the reason that beef is squashed,” Yayo said before being the latest voice to fuel rumors of an ICEMAN collab. “Future will be on the Drake album. I told y’all n***as, ICEMAN is back. Stand up fcking Canada.” Addressing recent brief disruptions involving Kendrick Lamar’s catalog on streaming platforms, Yayo added, “Sometimes when you go against the machine, the machine goes against you.” He continued, “We don’t know what it is but we know that he’s going to do numbers. When we hear the Future and Drake record, it’s going to be one of them. The video is going to be crazy.” With only hours remaining before release, Drake is also scheduled to close out his ICEMAN livestream series at 9:45 p.m. EST on YouTube, marking the final promotional chapter ahead of the album’s arrival. Several unreleased tracks have already surfaced online, including “1AM In Albany,” though it remains unclear which records will ultimately make the final tracklist. For now, anticipation continues to build as the rollout reaches its final stretch.

Rapper Plies is looking to hire NFL star Stefon Diggs’s ex-chef, Jamila Adams, according to a couple of tweets after Adams cooking clips went viral on Thursday (May 14). Liking what he sees, Plies tells his fans that Adams doesn’t even have to know how to cook to fill the position. Jamila Adams, who was previously involved in a widely publicized legal dispute with Stefon Diggs, began trending after persuasive clips confidently showing off her curves. The videos quickly circulated across X and Instagram, drawing thousands of reactions. Plies, known for his unfiltered humor, joined the conversation with a post that had fans laughing. “That Chef Bout To Get Her Another Job!!!!!! ,” he wrote, implying that Adams’ viral appeal could lead to offers beyond the kitchen. That Chef Bout To Get Her Another Job!!!!!! — Plies (@plies) May 14, 2026 I Need A Chef Bih!!!!!!!!! U Ain’t Even Gotta Know How To Cook!!!!! pic.twitter.com/DNxeN6yFe1 — Plies (@plies) May 14, 2026 The Florida rapper followed with a second post and a video filmed from his couch. “I Need A Chef Bih!!!!!!!!! U Ain’t Even Gotta Know How To Cook!!!!! ,” he captioned the clip. Plies Wants To Hire Stefon Diggs’ Ex-Chef Jamila Adams As His Chef, Even If She Doesn’t Know How To Cook In the video, Plies leaned into the joke. But it is unclear if the rap legend is sure about employing her. “I’m looking for me a chef, bih,” he said with a laugh. “Anybody know where I can find a chef, bih? Man, I’m looking for me a chef, a female chef, tho. Bih, you ain’t even gotta know how to cook, bih. I need a chef, ASAP, bih.” The punchline was unmistakable. Plies was joking that Adams’ magnetic screen presence mattered more than her culinary résumé. Adams viral videos arrive as Stefon Diggs and rap star Cardi B reconcile. Fans of the “Bust It Baby” rapper know this style well. Plies has built a second act online by reacting to viral moments with flirtatious humor and quotable one-liners. This time, Jamila Adams became the latest subject of his commentary, and social media wasted no time turning the exchange into another viral moment.

Rapper NBA Youngboy’s associate, NBA Ben10, real name Ben Anthony Fields, is among three shot in Baton Rouge on Tuesday (May 14) — according to a news report by WBRZ 2. This marks the second time NBA Ben10 has been shot in a month, following a shooting incident involving him and another recording artist after a fight with Detroit rapper Allstar Jr inside Houston’s Confessions restaurant. Fields, whose legal name is Ben Anthony Fields, was identified by sources as one of three individuals struck by gunfire on Wells Street. Authorities have not publicly disclosed the circumstances that led to the shooting, and no arrests had been announced as of Tuesday. Fields and the other victims were transported to a hospital in a private vehicle, according to WBRZ. The Baton Rouge shooting follows an April shooting at Confessions, a restaurant in Houston’s Upper Kirby neighborhood. Fields was also wounded. Rapper NBA Youngboy’s associate, NBA Ben10, Was shot again in Baton Rouge, A Month After Houston Shooting Houston-area media reports said the shooting occurred during what investigators described as an attempted robbery. According to those reports, an individual allegedly drew a firearm after others tried to snatch his chains. Rapper Allstar Jr opened fire inside the crowded restaurant. Between 20 and 30 patrons were inside the venue at the time, and two people were struck. Authorities said it remains unclear whether the victims were involved in the attempted robbery. The alleged shooter fled before officers arrived. In a statement issued after the incident, the restaurant said it does not condone violence. It reads, “To ensure the continued protection of everyone who walks through our doors.” Fields has long been part of NBA YoungBoy’s inner circle. He has frequently appeared alongside the Baton Rouge rapper in music videos and social media posts.

Drake’s upcoming album, ICEMAN, is now just hours away from release, set to arrive on May 15. The final stretch has sharpened anticipation among listeners. They have been watching the rollout unfold in real time. As a result, they are tracking every hint and rumor leading up to the drop. The project carries added weight because it arrives after Drake’s widely publicized back-and-forth with Kendrick Lamar. That context has turned the release into something larger than a routine album cycle. Expectations are running high across both fans and critics. In the absence of an official single, attention has increasingly shifted toward unofficial leaks circulating online. Late in the evening, a track titled “1 AM In Albany” surfaced across digital platforms. It quickly drew attention for its tone and content. The nearly five-minute record finds Drake in a direct, conversational mode. He addresses a range of figures in the music and sports world. At one point, he references Kendrick Lamar with a line that blends humor and provocation, rapping, “Muggsy Bogues dunked for once, even I’m a bit amazed, someone give the kid a raise.” Drake Broadens Aim as ‘1 AM In Albany’ Fuels ICEMAN Speculation The record also appears to widen its scope beyond music. Drake directs lines toward LeBron James, alluding to perceived shifts in public allegiance during recent cultural debates. Then, he turns his focus to J. Cole, whom he frames as having stepped back from the fray. “I shouldn’t even be shocked to see you in that arena, because you always made your career off of switching teams up,” he raps. “Please stop asking what’s going on with 23 & me, I’m a real n****, and he’s not, it’s in my DNA.” Whether “1 AM In Albany” ultimately appears on ICEMAN has not been confirmed. Still, its sudden emergence has added another layer of speculation around the project’s final shape. As the release approaches, Drake’s focus—and the public’s attention—remains fixed. They want to see how directly the album engages with the rivalries that have defined his recent chapter.

Another disturbance at the home of Chris Brown drew police to Tarzana on Wednesday night after a man allegedly entered the property and attempted to start a fire near the residence. According to TMZ, officers were dispatched shortly before 7 p.m. local time. This followed reports of an intruder trying to gain access to the singer’s gated estate. Investigators say the man was initially seen outside the entrance before climbing over a fence. He then made his way onto the grounds. Someone inside the residence confronted the individual before authorities arrived. Afterward, officers later detained him at the scene without further escalation. The caller reportedly told police the man was familiar to those connected to the property and had allegedly caused previous issues. Law enforcement booked the suspect on a trespassing charge. However, officials have not publicly identified him. A formal trespass report was also completed as the investigation moved forward. The episode adds to a growing string of security concerns surrounding Brown’s home in recent months. In an earlier incident, a security guard stationed at the property allegedly discharged a CO2-style weapon during a confrontation with a woman accused of striking the guard’s foot with her vehicle. Brown was reportedly at the residence during that encounter. Though authorities said he was not directly involved. As Chris Brown Returns to the Charts, Attention Shifts Beyond the Music For the Grammy-winning singer, the latest headlines arrive at a moment when attention has begun shifting back toward music. Brown, his newest release, is projected to open inside the top five of the Billboard 200. This continues the commercial consistency that has followed much of his career. The album, however, has generated sharply divided reactions from critics and listeners alike. Some reviews praised its ambition while others dismissed the project entirely, including a widely discussed 1.3 score from Pitchfork. Even so, Brown remains one of R&B’s most commercially durable figures. But incidents surrounding his personal life and properties continue to compete with the music itself for public attention. As a result, his name stays in headlines for reasons far beyond the charts.